Resources

Badger, Tony. “How Did Kennedy’s Assassination Change the World?” CNN. Cable News Network, 22 Nov. 2013. Web. 01 May 2017.

Beiser, Frederick C. Hegel. New York ; London: Routledge, 2005.

BEN VEREEN on Theater Talk. Youtube. Theatertalk, 7 July 2014. Web. 5 Mar. 2017.

Borinstein, A B. “Public Attitudes Toward Persons with Mental Illness.” Health Affairs 11.3 (1992): 186-96. Health Affairs. Web. 13 Mar. 2017.

Brecht, Bertold. “The Modern Theatre Is the Epic Theatre.” Ed. Daniel Gerould. Theatre, Theory, Theatre. New York: Applause, 2003. N. pag. Print.

Brooke, Iris. Medieval Theatre Costume: A Practical Guide to the Construction of Garments. London: Black, 1967.

Butt, John J. Daily Life in the Age of Charlemagne. Westport, Conn.: Greenwood Press, 2002.

CBS Sunday 1.4.15 PIPPIN on Tour Lucie Arnaz John Rubinstein-Ken Bertwell. YouTube. CBS, 4 Jan. 2015. Web. 5 Mar. 2017.

Collins, Roger. Charlemagne. Toronto: University of Toronto Press, 1998.

Dworkin, Ronald W. “Psychotherapy and the Pursuit of Happiness.” The New Atlantis 35 (2012): 69-83. The New Atlantis. Web. 5 Mar. 2017.

Feloj, Serena. “Mental Illness in Hegel’s Anthropology The Contradiction between Soul and Spirit.” Hegel-Jahrbuch 2014.1 (2014): 122-128.

Fosse, Bob, director. Pippin: His Life and Times. Youtube, 8 Apr. 2014, http://www.youtube.com/watch?v=kAp2uq_2Yp0. Accessed 5 Mar. 2017.

Galayda, John. “Roger O. Hirson ’43.” Issu. Friends Seminary, 01 May 2013. Web. 13 Mar. 2017.

Giere, Carol De. Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to Wicked. New York, NY: Hal Leonard, 2008. Print.

Henley, Lawrence. “Pippin: Historically Speaking.” Utah Shakespeare Festival, n.d. Web. 13 Mar. 2017.

Jones, Tom. Making Musicals: An Informal Introduction to the World of Musical Theatre. New York: Limelight, 1998. Print.

Laird, Paul R.. The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond. Lanham, Maryland; Plymouth, United Kingdom: Rowman & Littlefield, 2014.

Lim, Stephanie. “At the Intersection of Deaf and Asian American Performativity in Los Angeles: Deaf West Theatre’s and East West Players’ Adaptations of Pippin.”Rediscovering L.A. (2015): 324-40. ScholarWorks. Web. 13 Mar. 2017.

McWaters, Debra. The Fosse Style. Gainesville: University Press of Florida, 2008.

Miller, Scott. From Assassins to West Side Story: The Director’s Guide to Musical Theatre. Portsmouth, NH: Heinemann, 1996.

Ostrow, Stuart. Present At the Creation, Leaping in the Dark, and Going against the Grain: 1776, Pippin, M. Butterfly, La Bête, and Other Broadway Adventures. New York, NY: Applause Theatre & Cinema Books, 2006.

Paulus, Diane, director. p i p p i n. Youtube, 8 Dec. 2016, http://www.youtube.com/watch?v=9TSkr1I-bEI. Accessed 5 Mar. 2017.

“Roger O. Hirson.” Music Theatre International. N.p., n.d. Web. 20 Feb. 2017.

Rowan, John. “Hegel and Self-actualization.” The Humanistic Psychologist 20.1 (1992): 58-74. Web. 26 Mar. 2017.

Sayre, Nora. Sixties Going On Seventies. Rev. ed. New Brunswick, NJ: Rutgers University Press, 1996.

Schwartz, Stephen, and Roger O. Hirson. Pippin. New York, NY, Music Theater International, 2000.

Schwartz, Stephen., and Roger O. Hirson. Pippin: A Musical Comedy. New York: Drama Book Specialists, 1975.

Schwartz, Stephen. “Pippin – Stephen Schwartz Answers Questions About the Show.” StephenSchwartz.com. N.p., 2010. Web. 20 Feb. 2017.

Schwartz, Stephen. “Some Thoughts On Pippin As He Turns 40.” A.R.T. Guide: Holidays 2012-2013 (31 Aug. 2012): 3-4. Print.

Shea, Brendan, and Diane Paulus. “Creating Worlds Together.” A.R.T. Guide: Holidays 2012-2013 (31 Aug. 2012): 9-12. Print.

Simon, Eckehard. The Theatre of Medieval Europe: New Research in Early Drama. Cambridge [England] ; New York: Cambridge University Press, 1991.

Steppin Out Ep.11 – Ben Vereen Interview 1-18-11. YouTube. GFQ Network, 19 Jan. 2011. Web. 5 Mar. 2017.

Story, Joanna. Charlemagne: Empire and Society. Manchester ; New York: Manchester University Press, 2005.

Sturtevant, Paul B. “Everyman Has His Daydreams: Pippin, a Shockingly Medieval Musical.” The Public Medievalist. N.p., 15 July 2014. Web. 04 Mar. 2017.

Terry, Esther. “Musical Storm and Mental Stress: Trauma and Instability in Contemporary American Musical Theatre.” Mental Illness in Popular Media: Essays on the Representation of Disorders. Jefferson, N.C: McFarland, 2012. 130-34. Print.

The Audience Experience: Diane Paulus at TEDxBroadway. YouTube. Tedx Talks, 4 Apr. 2014. Web. 5 Mar. 2017.

“The Middle Ages.” Western Reserve Public Media. Northeastern Educational Television of Ohio, Inc., 2008. Web. 01 May 2017.

“The Musical Mind of Stephen Schwartz.” Interview. Radio Boston. WBUR, 27 Nov. 2012. Web. 5 Mar. 2017.

The Pittsburgh Cultural Trust. “Pippin Study Guide.” Pippin Study Guide Final 060214 (2 Oct. 2014) Print.

Wasson, Sam. Fosse. Boston, MA: Mariner, 2014. Print.

Wickham, Glynne William Gladstone. The Medieval Theatre. 3rd ed. Cambridge [Cambridgeshire] ; New York: Cambridge University Press, 1987.

Young, Christine M. “Attention Must Be Paid,” Cried The Balladeer: The Concept Musical Defined. Thesis. University of Kentucky, 2008. N.p.: n.p., n.d. Print.

Advertisements